José De Sancristóbal is an artist and wannabe translator. He works with the entanglement of narrative and image-making processes. Using photography, film, installation, and writing, he engages with practices of erratic positionality operating inside seemingly closed representation systems. The portrayal of these engagements often takes place at the intersection of the camera’s contradictory condition: between its purported objectivity and its propensity for deceit. Informed by photography’s history as a tool to regulate citizens and their movement, his work muddles established modes of identification by considering them against unmeasurable forms: fiction, memory, translation, and magical realism hinder those devices tasked with supervising self and belonging—such as passport photographs, migration regulations, biographical information, or national borders.


Co/lapse (Unrevised Edition)

Given the right conditions, any sound can pass through a wall

Notes on the translation of El Solitario (or Preface to the English edition)
Trial (the actors and the translator)
Evidence

Untitled translation exercise
Fabrications


Estudio Cinefotográfica Azteca

Birds dream of singing
Pond
It is an hypothesis that the sun will rise tomorrow
Or untitled
Memorama



José De Sancristóbal is an artist and wannabe translator. He works with the entanglement of narrative and image-making processes. Using photography, film, installation, and writing, he engages with practices of erratic positionality operating inside seemingly closed representation systems. The portrayal of these engagements often takes place at the intersection of the camera’s contradictory condition: between its purported objectivity and its propensity for deceit. Informed by photography’s history as a tool to regulate citizens and their movement, his work muddles established modes of identification by considering them against unmeasurable forms: fiction, memory, translation, and magical realism hinder those devices tasked with supervising self and belonging—such as passport photographs, migration regulations, biographical information, or national borders.






Co/lapse (Unrevised Edition)
Single-channel video, 32:48 min.
4K video (color, sound)




Given the right conditions, any sound
can pass through a wall

Two-channel video installation, 12:40 min.
Wall structure, synchronized 4K video (color, sound)
Variable dimensions.




Notes on the translation of El Solitario
(or Preface to the English Edition)

Two-channel video, 28:08 min.
4K video and Super 8mm film transferred 
to digital (color, sound).




Trial (the actors and the translator)
4K video, blackout structure, translation drafts, 
light table, 4x5 film negatives, inkjet prints.
Three actors audition for the role of “José,” the 
semi-fictional protagonist of El Solitario, a novel in process of translation (later addressed at length in 
Notes on the translation...)
Overall variable dimensions.




Evidence
Framed inkjet prints, 21 x 21 in each.
Installed at corresponding positions on 
two sides of the same wall.




Untitled translation exercise
1. Letters written by my father superimposed
with their English translation, placed on a window
(16 inkjet prints in 8 letter-sized clip frames)
2. Framed inkjet print (18 x 24 in)




Fabrications
Inkjet prints, ink drawings, wood, metal, glass,
fishing line, caster wheels.
A recreation of a camera as remembered 
by one of its owners 40 years after using it.
Overall variable dimensions.




Estudio Cinefotográfica Azteca I-IV
Framed photographic cut-outs from the archives
of Estudio Cinefotográfica Azteca, a former family-run photo studio in Tapachula, Mexico.
15 x 20 in each.




Birds dream of singing
A series of concerts performed  by musicians 
sleeping together. 
Comissioned by Festival Santa Lucía, Monterrey.
Platform designed and built by Estudio Núñez-Zapata.




Pond
Photographs of a house’s floors, metal tray, water,
found lattices and cauldron.
Made in-situ for artist-run space Biquini Wax, 
Mexico City.




It is an hypothesis that the sun will rise tomorrow
Mirror, paint, wood structure, sunlight, framed
and unframed inkjet prints.
Overall dimensions variable.




Or untitled
Monologue (approx. 30 min), benches, photograph, plinth, modified light switches.
Performed during the transition from light to dark.




Memorama
HD video, loop, 9:23 min